Somewhere in the years of our late adolescence, when I still knew the people I grew up with, I gave a friend a ride from his parents house to the ferry terminal. I was a mixed up kid, still living at home even though I was a college student and mother. My friend was the music snob of our teen social scene and he was living what had always seemed like the unattainable dream, with an apartment across the water in the city. When the car started he flinched and said You like Tom Waits? in a surprised voice, then added Of course, this is the album true fans hate.
His opinion was that the album was maudlin, sentimental, and thus annoying. It should not be in the discography, it should have been issued under another name. I sighed and turned up the volume to listen to Martha.
I like songs that tell a story. I like songs that use cheap narrative tricks to solicit an emotional response. Maybe because nothing else can, I like songs that make me cry.
This morning I opened the files and started to work on the next book. I am still puzzled by the audience reaction to some of the stories; it honestly did not occur to me that the tales were sad as I lived the reality. The thing I fear most in finishing the manuscript is losing the fun of it all, the exhilarating edge, the hilarious side of the horror. I do not want this book to be like the story songs that make me cry. I do not want to allow any reader -- not even one -- to come away from the book feeling inspired in the way they would be after listening to a John Denver album.
I had a clear and compelling fantasy of working in a luscious back garden, seated at a table with a pot of tea and a fat manuscript. And while it is true that the garden is lovely, the roses newly bloomed, the working reality is that I cannot sit outside during a thunder storm. But retreating indoors is not tempting, given the fact that my house is waist-deep in stacks of books and I have to edge past towers of boxes to get to the computer. Oh, and musn't forget the small detail of bored children.
Once again I am editing a book on the fly, scurrying from cafe to bookstore to pub, buying work time with 50p games of foosball and ice cream cones and promises of more if they will just help and be patient, just for a few more minutes, please.
But I did it - without the benefit of childcare, relatives, television, or any of the other boons of modern civilization. I'm walking out the door right now to put the final copyedited version of Mamaphonic in the mail.
This is what I miss today:
Vietnamese tofu sandwiches with pickled vegetables from that shop on Jackson.
The burrito bus down in the Rainier Valley.
Champagne breakfasts with Stella and Al.
The sixteenth anniversary of the accident came and went and for the first time, I did not even notice. I have no idea what I did on that day this year; maybe we were in London, maybe we were lazing about having a picnic in a meadow next to a river. One thing is certain -- I was not thinking about carnage on a rural highway. There is a chance that I have started to forget, though that is not terribly plausible. The better explanation is that I have moved to a place where it is neither necessary nor desirable to drive. Instead of overcoming a paralyzing fear that limited my daily life, I simply moved to a place where I am not required to perform the task that was forever fraught with emotion.
This is a clever trick. I should have thought of it years ago.
Some things are difficult and others are easy. I have enjoyed an astonishing and unusual degree of creative control with my projects, and the work is turning out brilliantly. Stella designed a beautiful cover for Mamaphonic and that book is close to being a tangible object. Now I get to work on the next book and Gabriel has agreed to be the illustrator. Today I feel like the luckiest person in the world because I get to work with my friends.
Of course I have to meet the deadlines, and it will be difficult to do much until I excavate the computer. But work is always so much fun. Definitely more exciting than the chores of real life.
The last time I saw Marisa we talked about clothes, and the contrast between her style and mine. She has known me a long time but she has forgotten that when we met I had short black hair and dressed in work pants, tshirts, and a black tattered hoodie, the correct urban camouflage for that time and place. But looking right always makes me squeamish and I moved on to a phase of wearing square dancing dresses, cocktail dresses, swishy polyester, dazzling sequined antique skirts. I carried handbags to match each outfit. I grew out my hair and dyed it three colors and gave up my old round spectacles for blue flashy cats eye frames.
I have been collecting things my entire life. Not generally on purpose, not with intent, not even always with my consent. It just happens -- particularly clothes. For each incarnation of my identity I have had a compulsion to create a new wardrobe, and around the edges of this desire people give me gifts and oddities. In the states I had endless access to cheap vintage clothes and a dry basement with 800 square feet of storage. By the time we moved the entire room was full of boxes and dressers and stacks of hats, piles of shoes, racks of clothing.
During the Seattle years I was in a state of mourning. I was distraught over broken bones and betrayal, the deliberate cessation of certain friendships. I was trying to understand the reality of living in the landscape of my dreams. I wore basic black every single day and paced the floors of my sweet little house, staring at the mountains through the picture windows, and then sat down to write with ferocity. I worked and played with my kids and went swimming. Eventually I cut my hair and dyed it back to a natural state and moved from black clothes to shades of brown and blue. But I did not wear my beautiful dresses; I was not feeling frivolous.
I gave away or sold half of my clothes when we moved to Seattle. Packing to come here I whittled the remaining allotment down by three quarters. But even purging that volume I was left with a fabulous wardrobe, an entirely amazing set of clothes that would cost a fortune if I had to replace them. Not that I could replace them; I do not have the body type that is most valued by owners of vintage clothing stores so the outfits I've found over the years are in fact remarkably special.
And now it may all be ruined. I have no idea; the laundry has not called to report. I have not allowed myself to be upset so far but uncertainty is not a favored emotion. I do not want to be compensated for the loss of my wardrobe. I want my clothes.
The most precious of my possessions arrived whole and well. The dental plate collection, false eye, glass slippers, antique ashtrays - everything in my scientific cabinet and the cabinet itself arrived without any damage. I've hung the paintings and photographs, sorted the zines, opened all the boxes to cull the best bits.
Even though this was the second big move in less than two years I still have random things that nobody should keep in their lives; old receipts (for example a faded record of grocery purchases in Olympia circa 1990), books I never plan to read, all the letters I have ever received and many of the tens of thousands I have sent.
Down at the bottom of a big box I found the songbooks. Now if the mood strikes I can look up the words to all the songs I used to know, though paging through these small handmade books makes me feel sad. I put together the pamphlet we distributed at the Mudwrestling Hoedown, and it took hours of library research to find the perfect images of square dance instructions and wrestling guides, then an unknown number of additional hours to laboriously cut and paste the assemblage. That particular event was a fundraiser to help the Philly RNC legal defense fund but it was mostly just an excuse for lots of people to wear crazy outfits and roll around in the mud. We performed I Ain't Got No Home, The Birmingham Six, It's Only a Wee Wee, Sarah Jane's Bread Song, Lavender Cowboy, Hang-Knot, and Larimer Street. There was a kissing booth and I was a popcorn girl. Who won the wrestling competition? I cannot recall though it seems that Stevie and Erin did fairly well.
During my Travelers Party this kid showed up in the middle of the night and sat on the porch with assorted people including James and Per. We traded macabre childhood stories and toward dawn he said that the place was a punk retirement community, the place people go when they can no longer deal with real cities.
These are the maudlin thoughts of a rainy afternoon in England: I miss my friends, miss singing. But that place was not my home and I do not think I will ever find one. I doubt that such a thing exists. It will have to be enough that I have so many dear friends all over the world, that I have this eccentric small family, that I can keep moving on.
Because of the extreme chaos of the last few weeks, and limited internet access, I missed the deadline to turn in the catalog description of my new book. This is disconcerting because several of my friends offered up excellent ideas of how to describe the thing -- it is not actually a cancer memoir but rather a book about danger and safety. The content and perspective is difficult to convey in a succinct way that works in catalog format. I am not in fact capable of describing it in conversation, let alone writing a precis.
When I downloaded all my email there were hundreds if not thousands of urgent tasks that went untended and this message from AEM:
Dude! Get on the ball. I had to stop in and write your book blurb for the catalog on the way through Chicago. I described it as "pure fluff," "head candy" and "rib-tickling!!!" Hope you don't mind.
I haven't laughed so much all month. But the funniest thing is that she actually does agree with me that the stories are hilarious. Which is why I love her.
On Tuesday we popped down to London to do the touristy things we will never get around to once we have acclimated to living here. The idea was to take advantage of a brief rest before our household goods arrived, because unpacking is so chaotic and stressful. We saw the changing of the guard (or at least the start before we grew bored and wandered off), took in the view from the top of Westminster Cathedral, toured the Cutty Sark, and when the skies started to spark with lightning took a boat tour of the Thames.
The next day the movers showed up with the container packed in early June in Seattle. It was still sealed shut, and when they cracked the bolts I was happy to see all the boxes still in order. Everything was fine until the first layer was stripped to reveal that the container had flooded. Worse yet, the damage was not strictly water -- though I could smell the sea the substance adhering to my goods was some kind of oil. The movers described it as putrid, wretched. As the day progressed they said they had never had a shipment damaged to this degree.
Everything packed in the bottom of the container was damaged. The items on top were not damp but all of the soft goods are permeated with a ghastly smell. Every single item of clothing, all the bedding, all plush toys, and most of the books have been ruined.
Also wrecked in the process, mostly by negligence on the part of the shippers, were sundries such as four bicycles. My hypoallergenic and very expensive mattress. The kids bed frames. Too many other things to list.
I am not fazed nor even particularly upset (I'll save that for later). I just have a lot of work to do. I've spent the better part of three days and nights systematically surveying all the damage, making lists, throwing away the debris.
The insurance has already kicked in; everyone is being very kind. The clothes have been sent to a laundry, a handyman is coming to fix our furniture and bikes, and I'm going to try and find a new mattress today (this will be challenging as bed sizes are different here). We have decamped to a hotel in the meanwhile.
I do apologize to everyone waiting to hear from me. Life has intervened and I will not be able to check email for a little while.